Category Archives: About editing

My tribute to self-publishing pioneer Dan Poynter

The world of self-publishing was touched and deeply saddened by news earlier this week of the passing legendary self-publishing pioneer Dan Poynter. Dan passed away on Monday, November 2, 2015, at the age of seventy-seven. Although I posted on Facebook about this great loss to the worldwide self-publishing community, I thought I owed Dan’s passing a more detailed mention on my blog. Dan was my friend, my mentor, my client, and above all, my inspiration, especially throughout the early years of my editing career. Continue reading ➝

When editors make (or miss) mistakes . . .

Editors make mistakes? What? Are you thinking, “Did I read that right?” Right off, let’s get one thing clear: editorial errors are inevitable. If that surprises you, it shouldn’t—we are only human, after all (I know that’s hard to believe). While many editors are perfectionists, most of us also know perfection is impossible to achieve. Let me tell you from firsthand experience that the quest for perfection in a world where perfection doesn’t exist is an issue that causes many of us a great deal of anguish and even sleepless nights. It’s just one of the hazards of the job. Continue reading ➝

Steps to becoming a freelance book editor

During my thirteen years in the book editing business, I’ve regularly been asked how I became a freelance editor and what it takes to become a part of this fascinating business. In this post, I've pulled together all my tips and advice for those interested in taking the first steps toward a freelance editing career. Please note that these guidelines are specifically for those who are interested in a freelance career, not in-house. Although I've done some freelance work for Penguin Random House Canada, the bulk of my work has been as a freelance editor and proofreader for self-publishing authors. Continue reading ➝

Characterization in fiction: a 10-point checklist for naming your characters

It’s exciting to name your characters—it gives them solid identities that take shape in your mind, hopefully growing and developing into fully rounded, unique individuals as you write. Your first inclination may be to assign your characters your favourite names for boys and girls, men and women, but the responsibility of giving your characters names readers can relate to and identify with goes beyond your own personal favourites. While much of the process of naming characters is just common sense, it’s a good idea to keep several naming principles in mind as you undertake this important task. Continue reading ➝

Characterization in fiction: writing realistic character reactions

Many complex aspects are involved in creating authentic characters in fiction, characters who evoke sympathy and empathy in your readers. Despite what you may read about the importance of plot—and I don’t mean to detract from that importance at all—most fiction is primarily character driven. In other words, you may have a thrilling, original plot idea, but if you can’t bring your characters to life for readers, they may put your book down in frustration without even knowing why. Continue reading ➝

Truth and lies in fiction—how to write an unreliable narrator

I’m excited about this blog post. While most of my articles are on common topics that you can find information about all around the Internet, the subject of unreliable narrators doesn’t get a lot of ink. And that’s probably because relatively few fiction writers know about the literary device of unreliable narration, and if they do, they haven't any notion of how to create it or use it to best effect. In this post, I'll get you started with techniques for successfully writing an unreliable narrator. Continue reading ➝
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